A Model of Scripts and the Two Trips in March

Though the vague ideas had been with me for many years, I started to formally work on (what I have named) Computational Modeling of Scripts (CMS). Incidentally, modelling is wrong in 2007, modeling was wrong in 1907, but it is not really a case of language variation. Anyway, two of my papers (co-authored with Harshit Surana) related to the work on CMS were accepted and I had to present both of them in March. I wouldn’t give here the details about the work on CMS because if I begin, there would be no end.

The first paper was titled ‘Using a Model of Scripts for Shallow Morphological Analysis Given an Unannotated Corpus’ and I had to present it at a Workshop on Morpho-Syntactic Analysis. It was being held at Bangkok as part of the 2nd School of Asian NLP for Linguistic Diversity and Language Resource Development. In this case, the long name of the event was justified by the fact it went on for ten days. But even though I had to attend a lot of talks everyday, I didn’t mind. I missed the first two days because of the highly efficient way in which our bureaucracy works. I actually had to go back from the airport after checking in with luggage and all. I managed to survive the nightmare and, thankfully, my nine days at Bangkok were among the best I have had for years, in spite of many problems: food, language, money etc. This was the first time I had gone to any place east of Varanasi and, to put it simply, I liked it.

Bangkok-1 Bangkok-2 Bangkok-3

The second paper was called ‘Study of Cognates among South Asian Languages for the Purpose of Building Lexical Resources’ and it was to be presented in Mumbai at the National Seminar on Creation of Lexical Resources for Indian Language Computing and Processing. I just managed to reach Mumbai (one day late) because there was a deadline for submission to an ACL Workshop on Computing and Historical Phonology. By the way, this paper too was (distantly?) related to the work on CMS and it has been accepted. However, the stay in Mumbai was somewhat less enjoyable (another long story I am not going to tell).

Mumbai-1 Mumbai-2

Apart from the joys (and pains) of traveling, the positive thing about these two trips was that at last I managed to present some of my work on CMS, even if the events were not as big as the ACL. And I got to see a lot of people working in NLP, some of whom I had known from the literature. I also got to meet a lot of East Asians from many different countries, in person and in their world. The downside was that I missed another important event which I had been waiting for: A proper film festival in Hyderabad.

PS: This ‘article’ was published somewhere earlier, but since some parts got left out, I am putting the complete and unabridged version here :-)

Streetcar of Desire Sabotaged (Contd.)

So what was the movie about anyway (not anywayS, as many less reading Indians say, but not due to a typo)?

Well, the first thing one can mention is something that connects the Streetcar with Gone With The Wind (GWTW), apart from Vivien Leigh. Namely, the going away of an old world and the beginning of a new world. But the old world was not so good and the new one is hardly better. Of course, the similarity is limited. There is not much nostalgia in the Streetcar. And all the characters are more imperfect.

An educated sophisticated lady comes from a dying feudal world which she tried very hard to cling to and which has all but destroyed her. She comes, out of compulsion, to a (not the) new industrial world. But people in this new world are more ‘primitive’. They almost live like animals. This is explicitly stated in the movie by the newcomer lady, but is repeatedly shown by the director implicitly. Eating heartily, fighting fiercely and making up, having sex, thinking only about their survival, but (unlike the very poor on-her-own teenager of Rosetta) as if they had no memory. Animals are said to have no memory. The newness of the new world is reflected only in the glimpses of some modern objects: light bulb, machines, and the streetcar etc. Even the law the Yelling Hero talks about is straight from from Napoleon. To sum up this theme (as this is just a blog post, not a proper review), the new world is not so new. And not much better either.

The other theme (as I saw, not necessarily as the director intended) is about two victims torturing one another and the one who is hardier and less sensitive (and ignorant and stupid) surviving, while the other one ‘cracks’ down under the long long assault which was not started by the first victim. I am not sure whether the two are equally victims, as the Yelling Hero obviously suffers less than the Lady of Sweet Sophistication and Bitter Decadence.

I should confess here that I felt more for the latter. I hardly felt much for the former, until I thought consciously about what had created him and kept him where he was: an animal living in a world of rectangular man-made caves in a primitive society in a supposedly modern world where aeroplanes fly and where actors are learning The Method and where there are mass producing factories.

Which world is the director partial to? I don’t know. I am less interested in what the director intended and more in what the film says to me. Which world am I partial to? None. I want a much better world than both, but that is di…

There is a third victim (among the major characters) in the story who neither thrives nor cracks down. He is just trapped. He and the Yelling Hero’s wife (who is a nice nice conformist) are the two more likeable characters, but unlike the Hero’s wife, he is not very happy in his world and is seeking something better without hurting anyone. In reviews of the movie, he (naturally) comes out as a silly comic character.

Yet another theme of the movie is ‘a touching study of schizophrenia’. This is the only important theme that I found mentioned in the reviews that I read on the Net. You see a reasonably good human being going mad right before your eyes. And the reason she becomes a ‘schizophrenic’ (I don’t like these pseudo-scientific terms) is that she can’t survive the long continuous assault by the world of ‘sane’ people around her. If this theme doesn’t ‘touch’ you, I don’t think you should be reading this blog.

There are many other ‘smaller’ themes in the movie, but I am not writing a review…

Streetcar of Desire Sabotaged

For years I had been hearing of and reading about how great a performance the greatest American actor gave in one of the greatest movies ever made. And about how wonderfully Brando yelled “Stella!, Stella!”. And, of course, about The Method. No wonder I wanted to see the movie as soon as I could. But it took a lot of time. Why? No, no, I shouldn’t digress. I will keep the focus. Back to the streetcar.

I am not really unaware of what different kinds of people consider great art. I rarely considered watching movies a waste of time, even at the time of the most crucial exams, which can make or break of your career. Career was not a big deal for me.

Dgrshn gt bk 2 bzns!

Yes, back to business. What was my impression of the movie before I finally saw it? Well, it so happened that I had never read a real review about the movie. Only articles about how great was Brando yelling “Stella!, Stella!” in this movie and how he revolutionized acting (I could barely make out that what was supposed to be revolutionized was actually American acting. The Method was imported from Russia). Since I didn’t know the story, I thought Brando had a kind of role which he played in “On the Waterfront” or may be like the one he played in “The Godfather” (the two Brando movies I had seen). Or may be even like the roles which his artistic descendant De Nero played in “Taxi Driver”. I mean a kind of role with some element of (presumed) heroism, even if (presumed) anti-heroism. And brooding. A character with whom one could at least partly identify.

To be honest, right in the first few minutes, I was puzzled, then felt kind of cheated, and by the end of the first half of the movie, understood what was happening. But the feeling of being cheated remained. I understood what the movie was about alright, but I still fail to understand what was so great (I mean greater than many other things in the movie) about the shout “Stella!, Stella!”.

What had happened was that all the hype about Brando’s great performance (it was great) and about The Method (there was a method) and The Yell (that was great too) hid everything that the movie was really about. This is why, even though the hype had a solid basis, I continue to feel cheated.

Wt ws d moo v abt n e ways?

Let me get things ordered. Wait for the next post. (Actually, let me rest. Not used to this kind of work.). Better than digressing. Isn’t it?

हिन्दी में ज़ेडनेट

ZNet/ZMag पर एक बेहतर दुनिया के लिए कोशिश करने वाले लोगों के विचारों और उनकी गतिविधियों के बारे में लेख प्रकाशित होते हैं। हाल ही मैं मैंने ज़ेडनेट के हिन्दी संस्करण की शुरुआत की है। यह शुरुआत केवल पाँच लेखों के अनुवाद से की गई है, पर उम्मीद है और लोग भी साथ देंगे ताकि ज़ेडनेट की सर्वोत्तम सामग्री हिन्दी में उपलब्ध हो सके। आप भी इसमें सहयोग कर सकते हैं।